Test Prep Section Two : Biological Sciences MCAT Section 2: Biological Sciences Dumps in PDF

Free Test Prep MCAT Section 2: Biological Sciences Real Questions (page: 25)

The mind, just like the body, has its needs. The needs of the body are the foundations of society; those of the mind are its amenities. While government and laws provide for the safety and well-being of men when they gather together, the sciences and the arts, which are less despotic but perhaps more powerful, spread garlands of flowers over the iron chains that bind them, stifle in them the sense for that original liberty for which they seem to have been born, cause them to love their own enslavement, and turn them into so-called "civilized people." Necessity raised thrones; the sciences and the arts have strengthened them. O earthly powers:
cherish talents and protect those who cultivate them. O civilized people, cultivate them: you happy slaves owe to them that delicate and refined taste of which you are so proud, that gentleness of character and urbanity of manner which make relations among you so amiable and easy ­ in other words, that semblance of all the virtues, none of which you actually possess...
...How pleasant it would be to live among us, if our external appearance were always a reflection of what is in our hearts, if decency were virtue, if our maxims served as our rules, and if true philosophy were inseparable from the title of philosopher! But so many qualities are seldom found together, and virtue hardly ever walks in such great pomp. Richness of adornment may be the mark of a man of taste, but a healthy, robust man is known by other signs: it is beneath the rustic clothes of a farmer, and not the gilt of a courtier, that strength and vigor of the body will be found. Ornamentation is just as foreign to virtue, which is the strength and vigor of the soul. The good man is an athlete who prefers to compete in the nude: he disdains all those vile ornaments which would hinder the use of his strength, ornaments which were for the most part invented only to hide some deformity.
Before art had molded our manners and taught our passions to speak an affected language, our customs were rustic but natural, and differences in conduct revealed clearly differences in character. Human nature, basically, was no better, but men found security in being able to see through each other easily, and this advantage, which we no longer appreciate, spared them many vices.
Now that more subtle refinements and more delicate taste have reduced the art of pleasing to set rules, a base and deceptive uniformity prevails in our behavior, and all minds seem to have been cast in the same mold. Incessantly politeness and propriety make demands on us, and incessantly we follow usage but never our own inclinations. We no longer dare to appear as we are, and under this perpetual constraint, the men who form this herd called society, when placed in the same circumstances, will all act similarly unless stronger motives direct them to do otherwise. Therefore we will never know well those with whom we deal, for to know our friends we will have to wait for some crises to arise ­ which is to say that we will have to wait until it is too late, as it is for these very crises that it is essential to know one's friends well.
What vice would not accompany this uncertainty? No more sincere friendships, no more genuine esteem, no more well-based confidence. Suspicion, offenses, fears, coldness, reserve, hatred and betrayal will constantly hide under the same false veil of politeness, under that much touted urbanity which we owe to the enlightenment of our times. The name of the Master of the Universe will no longer be profaned by swearing, but insulted by blasphemies that will not offend our scrupulous ears. Men will not boast of their own merits, but belittle those of others. An enemy will not be crudely insulted, but adroitly slandered. National hatreds will die, but so will patriotism. A dangerous skepticism will take the place of the scorning of ignorance. Some excesses will be forbidden, some vices dishonored, but others will be dignified with the name of virtues, and one must either have them or feign them. Let those who want to praise the sobriety of the sages of our time do so; as for me, I see in it only a refinement of intemperance that is as unworthy of my praise as their hypocritical simplicity.
According to the tone and content of the passage, which statement best reflects the author's opinion of the purpose of the sciences and the arts?

  1. They are necessary for the safety and well-being of mankind.
  2. They interfere with responsive action and honest communication.
  3. They reinforce the sense of "original liberty" that is present in all men.
  4. They have molded our reactions into predictable but essential forms.

Answer(s): B

Explanation:

The primary argument is that man has become burdened by politeness, which springs from devotion to the graces. He implies that a "natural" man, who responded simply and plainly and with honesty, is preferable because his character is known from the outset.
A is not true ­ government and laws are necessary for the safety and well-being of mankind; C is incorrect because the arts cloud over the "original liberty" that each man is provided with; D is incorrect because the author believes the molding is absolutely not essential.



The mind, just like the body, has its needs. The needs of the body are the foundations of society; those of the mind are its amenities. While government and laws provide for the safety and well-being of men when they gather together, the sciences and the arts, which are less despotic but perhaps more powerful, spread garlands of flowers over the iron chains that bind them, stifle in them the sense for that original liberty for which they seem to have been born, cause them to love their own enslavement, and turn them into so-called "civilized people." Necessity raised thrones; the sciences and the arts have strengthened them. O earthly powers:
cherish talents and protect those who cultivate them. O civilized people, cultivate them: you happy slaves owe to them that delicate and refined taste of which you are so proud, that gentleness of character and urbanity of manner which make relations among you so amiable and easy ­ in other words, that semblance of all the virtues, none of which you actually possess...
...How pleasant it would be to live among us, if our external appearance were always a reflection of what is in our hearts, if decency were virtue, if our maxims served as our rules, and if true philosophy were inseparable from the title of philosopher! But so many qualities are seldom found together, and virtue hardly ever walks in such great pomp. Richness of adornment may be the mark of a man of taste, but a healthy, robust man is known by other signs: it is beneath the rustic clothes of a farmer, and not the gilt of a courtier, that strength and vigor of the body will be found. Ornamentation is just as foreign to virtue, which is the strength and vigor of the soul. The good man is an athlete who prefers to compete in the nude: he disdains all those vile ornaments which would hinder the use of his strength, ornaments which were for the most part invented only to hide some deformity.
Before art had molded our manners and taught our passions to speak an affected language, our customs were rustic but natural, and differences in conduct revealed clearly differences in character. Human nature, basically, was no better, but men found security in being able to see through each other easily, and this advantage, which we no longer appreciate, spared them many vices.
Now that more subtle refinements and more delicate taste have reduced the art of pleasing to set rules, a base and deceptive uniformity prevails in our behavior, and all minds seem to have been cast in the same mold. Incessantly politeness and propriety make demands on us, and incessantly we follow usage but never our own inclinations. We no longer dare to appear as we are, and under this perpetual constraint, the men who form this herd called society, when placed in the same circumstances, will all act similarly unless stronger motives direct them to do otherwise. Therefore we will never know well those with whom we deal, for to know our friends we will have to wait for some crises to arise ­ which is to say that we will have to wait until it is too late, as it is for these very crises that it is essential to know one's friends well.
What vice would not accompany this uncertainty? No more sincere friendships, no more genuine esteem, no more well-based confidence. Suspicion, offenses, fears, coldness, reserve, hatred and betrayal will constantly hide under the same false veil of politeness, under that much touted urbanity which we owe to the enlightenment of our times. The name of the Master of the Universe will no longer be profaned by swearing, but insulted by blasphemies that will not offend our scrupulous ears. Men will not boast of their own merits, but belittle those of others. An enemy will not be crudely insulted, but adroitly slandered. National hatreds will die, but so will patriotism. A dangerous skepticism will take the place of the scorning of ignorance. Some excesses will be forbidden, some vices dishonored, but others will be dignified with the name of virtues, and one must either have them or feign them. Let those who want to praise the sobriety of the sages of our time do so; as for me, I see in it only a refinement of intemperance that is as unworthy of my praise as their hypocritical simplicity.
In the context of this passage, the "needs of the body" are to government and laws as:

  1. the arts are to the "earthly powers" that "cherish talents."
  2. the arts are to the "semblance of all the virtues."
  3. the arts are to chains that bind men into slavery.
  4. the arts are to man's sense of original liberty.

Answer(s): B

Explanation:

The author's primary analogy is that the needs of the body leads to government and laws, and in the same way the arts lead to the semblance of all virtues. A is incorrect because the author makes no direct cause-and-effect connection between the arts and earthly powers, whom he admonishes to cherish talents as that will serve to reinforce their control over men. C is incorrect because the arts make the chains that bind men more appealing.
D is incorrect because the arts stifle man's sense of original liberty.



The mind, just like the body, has its needs. The needs of the body are the foundations of society; those of the mind are its amenities. While government and laws provide for the safety and well-being of men when they gather together, the sciences and the arts, which are less despotic but perhaps more powerful, spread garlands of flowers over the iron chains that bind them, stifle in them the sense for that original liberty for which they seem to have been born, cause them to love their own enslavement, and turn them into so-called "civilized people." Necessity raised thrones; the sciences and the arts have strengthened them. O earthly powers:
cherish talents and protect those who cultivate them. O civilized people, cultivate them: you happy slaves owe to them that delicate and refined taste of which you are so proud, that gentleness of character and urbanity of manner which make relations among you so amiable and easy ­ in other words, that semblance of all the virtues, none of which you actually possess...
...How pleasant it would be to live among us, if our external appearance were always a reflection of what is in our hearts, if decency were virtue, if our maxims served as our rules, and if true philosophy were inseparable from the title of philosopher! But so many qualities are seldom found together, and virtue hardly ever walks in such great pomp. Richness of adornment may be the mark of a man of taste, but a healthy, robust man is known by other signs: it is beneath the rustic clothes of a farmer, and not the gilt of a courtier, that strength and vigor of the body will be found. Ornamentation is just as foreign to virtue, which is the strength and vigor of the soul. The good man is an athlete who prefers to compete in the nude: he disdains all those vile ornaments which would hinder the use of his strength, ornaments which were for the most part invented only to hide some deformity.
Before art had molded our manners and taught our passions to speak an affected language, our customs were rustic but natural, and differences in conduct revealed clearly differences in character. Human nature, basically, was no better, but men found security in being able to see through each other easily, and this advantage, which we no longer appreciate, spared them many vices.
Now that more subtle refinements and more delicate taste have reduced the art of pleasing to set rules, a base and deceptive uniformity prevails in our behavior, and all minds seem to have been cast in the same mold. Incessantly politeness and propriety make demands on us, and incessantly we follow usage but never our own inclinations. We no longer dare to appear as we are, and under this perpetual constraint, the men who form this herd called society, when placed in the same circumstances, will all act similarly unless stronger motives direct them to do otherwise. Therefore we will never know well those with whom we deal, for to know our friends we will have to wait for some crises to arise ­ which is to say that we will have to wait until it is too late, as it is for these very crises that it is essential to know one's friends well.
What vice would not accompany this uncertainty? No more sincere friendships, no more genuine esteem, no more well-based confidence. Suspicion, offenses, fears, coldness, reserve, hatred and betrayal will constantly hide under the same false veil of politeness, under that much touted urbanity which we owe to the enlightenment of our times. The name of the Master of the Universe will no longer be profaned by swearing, but insulted by blasphemies that will not offend our scrupulous ears. Men will not boast of their own merits, but belittle those of others. An enemy will not be crudely insulted, but adroitly slandered. National hatreds will die, but so will patriotism. A dangerous skepticism will take the place of the scorning of ignorance. Some excesses will be forbidden, some vices dishonored, but others will be dignified with the name of virtues, and one must either have them or feign them. Let those who want to praise the sobriety of the sages of our time do so; as for me, I see in it only a refinement of intemperance that is as unworthy of my praise as their hypocritical simplicity.
The author of this passage would most likely have the greatest respect for a person who:

  1. is deterred from acting on his own inclinations by the needs of society.
  2. does not dilute his natural reactions through the artifice of correct behavior.
  3. exhibits his refinement through elaborate clothing and conversation.
  4. boasts of his own merit rather than belittling that of others.

Answer(s): B

Explanation:

At the beginning of the second paragraph (and elsewhere) the author describes his ideal way of living: to always act out what we feel in our hearts, with no hypocrisy, no concealment, no artifice. Choices A and C are what he is opposed to. As for choice D, while it is clear in lines 67­68 that he would rather see a person boast of his own merits rather than belittle those of others, he does not imply that this is conduct most worthy of respect.



The mind, just like the body, has its needs. The needs of the body are the foundations of society; those of the mind are its amenities. While government and laws provide for the safety and well-being of men when they gather together, the sciences and the arts, which are less despotic but perhaps more powerful, spread garlands of flowers over the iron chains that bind them, stifle in them the sense for that original liberty for which they seem to have been born, cause them to love their own enslavement, and turn them into so-called "civilized people." Necessity raised thrones; the sciences and the arts have strengthened them. O earthly powers:
cherish talents and protect those who cultivate them. O civilized people, cultivate them: you happy slaves owe to them that delicate and refined taste of which you are so proud, that gentleness of character and urbanity of manner which make relations among you so amiable and easy ­ in other words, that semblance of all the virtues, none of which you actually possess...
...How pleasant it would be to live among us, if our external appearance were always a reflection of what is in our hearts, if decency were virtue, if our maxims served as our rules, and if true philosophy were inseparable from the title of philosopher! But so many qualities are seldom found together, and virtue hardly ever walks in such great pomp. Richness of adornment may be the mark of a man of taste, but a healthy, robust man is known by other signs: it is beneath the rustic clothes of a farmer, and not the gilt of a courtier, that strength and vigor of the body will be found. Ornamentation is just as foreign to virtue, which is the strength and vigor of the soul. The good man is an athlete who prefers to compete in the nude: he disdains all those vile ornaments which would hinder the use of his strength, ornaments which were for the most part invented only to hide some deformity.
Before art had molded our manners and taught our passions to speak an affected language, our customs were rustic but natural, and differences in conduct revealed clearly differences in character. Human nature, basically, was no better, but men found security in being able to see through each other easily, and this advantage, which we no longer appreciate, spared them many vices.
Now that more subtle refinements and more delicate taste have reduced the art of pleasing to set rules, a base and deceptive uniformity prevails in our behavior, and all minds seem to have been cast in the same mold. Incessantly politeness and propriety make demands on us, and incessantly we follow usage but never our own inclinations. We no longer dare to appear as we are, and under this perpetual constraint, the men who form this herd called society, when placed in the same circumstances, will all act similarly unless stronger motives direct them to do otherwise. Therefore we will never know well those with whom we deal, for to know our friends we will have to wait for some crises to arise ­ which is to say that we will have to wait until it is too late, as it is for these very crises that it is essential to know one's friends well.
What vice would not accompany this uncertainty? No more sincere friendships, no more genuine esteem, no more well-based confidence. Suspicion, offenses, fears, coldness, reserve, hatred and betrayal will constantly hide under the same false veil of politeness, under that much touted urbanity which we owe to the enlightenment of our times. The name of the Master of the Universe will no longer be profaned by swearing, but insulted by blasphemies that will not offend our scrupulous ears. Men will not boast of their own merits, but belittle those of others. An enemy will not be crudely insulted, but adroitly slandered. National hatreds will die, but so will patriotism. A dangerous skepticism will take the place of the scorning of ignorance. Some excesses will be forbidden, some vices dishonored, but others will be dignified with the name of virtues, and one must either have them or feign them. Let those who want to praise the sobriety of the sages of our time do so; as for me, I see in it only a refinement of intemperance that is as unworthy of my praise as their hypocritical simplicity.
According to the author's arguments, a society that prizes its sciences and arts will:

  1. respect urbanity.
  2. scorn ignorance.
  3. foster sincere friendships.
  4. embrace simplicity.

Answer(s): A

Explanation:

The author speaks very disparagingly of urbanity, and sees the arts and sciences as contributing to this sheen of respectability that he finds so distasteful. Choices B, C and D are what he considers noble and worthy.



The mind, just like the body, has its needs. The needs of the body are the foundations of society; those of the mind are its amenities. While government and laws provide for the safety and well-being of men when they gather together, the sciences and the arts, which are less despotic but perhaps more powerful, spread garlands of flowers over the iron chains that bind them, stifle in them the sense for that original liberty for which they seem to have been born, cause them to love their own enslavement, and turn them into so-called "civilized people." Necessity raised thrones; the sciences and the arts have strengthened them. O earthly powers:
cherish talents and protect those who cultivate them. O civilized people, cultivate them: you happy slaves owe to them that delicate and refined taste of which you are so proud, that gentleness of character and urbanity of manner which make relations among you so amiable and easy ­ in other words, that semblance of all the virtues, none of which you actually possess...

...How pleasant it would be to live among us, if our external appearance were always a reflection of what is in our hearts, if decency were virtue, if our maxims served as our rules, and if true philosophy were inseparable from the title of philosopher! But so many qualities are seldom found together, and virtue hardly ever walks in such great pomp. Richness of adornment may be the mark of a man of taste, but a healthy, robust man is known by other signs: it is beneath the rustic clothes of a farmer, and not the gilt of a courtier, that strength and vigor of the body will be found. Ornamentation is just as foreign to virtue, which is the strength and vigor of the soul. The good man is an athlete who prefers to compete in the nude: he disdains all those vile ornaments which would hinder the use of his strength, ornaments which were for the most part invented only to hide some deformity.
Before art had molded our manners and taught our passions to speak an affected language, our customs were rustic but natural, and differences in conduct revealed clearly differences in character. Human nature, basically, was no better, but men found security in being able to see through each other easily, and this advantage, which we no longer appreciate, spared them many vices.
Now that more subtle refinements and more delicate taste have reduced the art of pleasing to set rules, a base and deceptive uniformity prevails in our behavior, and all minds seem to have been cast in the same mold. Incessantly politeness and propriety make demands on us, and incessantly we follow usage but never our own inclinations. We no longer dare to appear as we are, and under this perpetual constraint, the men who form this herd called society, when placed in the same circumstances, will all act similarly unless stronger motives direct them to do otherwise. Therefore we will never know well those with whom we deal, for to know our friends we will have to wait for some crises to arise ­ which is to say that we will have to wait until it is too late, as it is for these very crises that it is essential to know one's friends well.
What vice would not accompany this uncertainty? No more sincere friendships, no more genuine esteem, no more well-based confidence. Suspicion, offenses, fears, coldness, reserve, hatred and betrayal will constantly hide under the same false veil of politeness, under that much touted urbanity which we owe to the enlightenment of our times. The name of the Master of the Universe will no longer be profaned by swearing, but insulted by blasphemies that will not offend our scrupulous ears. Men will not boast of their own merits, but belittle those of others. An enemy will not be crudely insulted, but adroitly slandered. National hatreds will die, but so will patriotism. A dangerous skepticism will take the place of the scorning of ignorance. Some excesses will be forbidden, some vices dishonored, but others will be dignified with the name of virtues, and one must either have them or feign them. Let those who want to praise the sobriety of the sages of our time do so; as for me, I see in it only a refinement of intemperance that is as unworthy of my praise as their hypocritical simplicity.
According to the author, an "urbane" person is most likely to put the highest value on which of the following characteristics?

  1. simple, unadorned clothing.
  2. reflection on one's individual character.
  3. polite relations in public discourse.
  4. natural behavior and action.

Answer(s): C

Explanation:

In lines 16­17 the author indicates that urbanity of manner makes relations amiable and easy, and later on in the fourth paragraph he claims that the demands of politeness and propriety have stifled honesty in our public behavior. From this, then, one can infer that choice C contains the characteristics prized by an urbane person.



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