Test Prep California Basic Educational Skills Test - Reading CBEST Section 2: Reading Dumps in PDF

(1) Produced in 1959, Lorraine Hansberrys play, A Raisin in the Sun, was a quietly revolutionary work that depicted African-American life in a fresh, new, and realistic way. The play made her the youngest American, the first African-American, and the fifth woman to win the New York Drama Critics Circle Award for Best Play of the Year. In 1961, it was produced as a film starring Sydney Poitier and has since become a classic, providing inspiration for an entire generation of African-American writers.
(2) Hansberry was not only an artist but also a political activist and the daughter of activists. Born in Chicago in 1930, she was a member of a prominent family devoted to civil rights. Her father was a successful real-estate broker, who won an anti-segregation case before the Illinois Supreme Court in the mid-1930s, and her uncle was a Harvard professor. In her home, Hansberry was privileged to meet many influential cultural and intellectual leaders. Among them were artists and activists such as Paul Robeson, W.E.B. DuBois, and Langston Hughes.
(3) The success of A Raisin in the Sun helped gain an audience for her passionate views on social justice. It mirrors one of Hansberrys central artistic efforts, that of freeing many people from the smothering effects of stereotyping by depicting the wide array of personality types and aspirations that exist within one Southside Chicago family. A Raisin in the Sun was followed by another play, produced in 1964, The Sign in Sidney Brusteins Window. This play is about an intellectual in Greenwich Village, New York City, a man who is open-minded and generous of spirit who, as Hansberry wrote, "cares about it all. It takes too much energy not to care."
(4) Lorraine Hansberry died on the final day of the plays run on Broadway. Her early death, at the age of 34, was unfortunate, as it cut short a brilliant and promising career, one that, even in its short span, changed the face of American theater. After her death, however, her influence continued to be felt. A dramatic adaptation of her autobiography, To Be Young, Gifted, and Black, consisted of vignettes based on Hansberrys plays, poems, and other writings. It was produced Off-Broadway in 1969 and appeared in book form the following year. Her play, Les Blancs, a drama set in Africa, was produced in 1970; and A Raisin in the Sun was adapted as a musical, Raisin, and won a Tony award in 1973.
(5) Even after her death, her dramatic works have helped gain an audience for her essays and speeches on wide-ranging topics, from world peace to the evils of the mistreatment of minorities, no matter what their race, and especially for her works on the civil-rights struggle and on the effort by Africans to be free of colonial rule. She was a woman, much like the characters in her best-known play, who was determined to be free of racial, cultural, or genderbased constraints.
On the basis of above passage please answer the following question.
According to the passage, how many women had won the New York Drama Critics Circle Award for Best Play of the Year before Lorraine Hansberry did?

(1) Produced in 1959, Lorraine Hansberrys play, A Raisin in the Sun, was a quietly revolutionary work that depicted African-American life in a fresh, new, and realistic way. The play made her the youngest American, the first African-American, and the fifth woman to win the New York Drama Critics Circle Award for Best Play of the Year. In 1961, it was produced as a film starring Sydney Poitier and has since become a classic, providing inspiration for an entire generation of African-American writers.
(2) Hansberry was not only an artist but also a political activist and the daughter of activists. Born in Chicago in 1930, she was a member of a prominent family devoted to civil rights. Her father was a successful real-estate broker, who won an anti-segregation case before the Illinois Supreme Court in the mid-1930s, and her uncle was a Harvard professor. In her home, Hansberry was privileged to meet many influential cultural and intellectual leaders. Among them were artists and activists such as Paul Robeson, W.E.B. DuBois, and Langston Hughes.
(3) The success of A Raisin in the Sun helped gain an audience for her passionate views on social justice. It mirrors one of Hansberrys central artistic efforts, that of freeing many people from the smothering effects of stereotyping by depicting the wide array of personality types and aspirations that exist within one Southside Chicago family. A Raisin in the Sun was followed by another play, produced in 1964, The Sign in Sidney Brusteins Window. This play is about an intellectual in Greenwich Village, New York City, a man who is open-minded and generous of spirit who, as Hansberry wrote, "cares about it all. It takes too much energy not to care."
(4) Lorraine Hansberry died on the final day of the plays run on Broadway. Her early death, at the age of 34, was unfortunate, as it cut short a brilliant and promising career, one that, even in its short span, changed the face of American theater. After her death, however, her influence continued to be felt. A dramatic adaptation of her autobiography, To Be Young, Gifted, and Black, consisted of vignettes based on Hansberrys plays, poems, and other writings. It was produced Off-Broadway in 1969 and appeared in book form the following year. Her play, Les Blancs, a drama set in Africa, was produced in 1970; and A Raisin in the Sun was adapted as a musical, Raisin, and won a Tony award in 1973.
(5) Even after her death, her dramatic works have helped gain an audience for her essays and speeches on wide-ranging topics, from world peace to the evils of the mistreatment of minorities, no matter what their race, and especially for her works on the civil-rights struggle and on the effort by Africans to be free of colonial rule. She was a woman,much like the characters in her best-known play, who was determined to be free of racial, cultural, or genderbased constraints.
On the basis of above passage please answer the following question.
As it is used in paragraph 3, the underlined phrase wide array most nearly means

(1) Produced in 1959, Lorraine Hansberrys play, A Raisin in the Sun, was a quietly revolutionary work that depicted African-American life in a fresh, new, and realistic way. The play made her the youngest American, the first African-American, and the fifth woman to win the New York Drama Critics Circle Award for Best Play of the Year. In 1961, it was produced as a film starring Sydney Poitier and has since become a classic, providing inspiration for an entire generation of African-American writers.
(2) Hansberry was not only an artist but also a political activist and the daughter of activists. Born in Chicago in 1930, she was a member of a prominent family devoted to civil rights. Her father was a successful real-estate broker, who won an anti-segregation case before the Illinois Supreme Court in the mid-1930s, and her uncle was a Harvard professor. In her home, Hansberry was privileged to meet many influential cultural and intellectual leaders. Among them were artists and activists such as Paul Robeson, W.E.B. DuBois, and Langston Hughes.
(3) The success of A Raisin in the Sun helped gain an audience for her passionate views on social justice. It mirrors one of Hansberrys central artistic efforts, that of freeing many people from the smothering effects of stereotyping by depicting the wide array of personality types and aspirations that exist within one Southside Chicago family. A Raisin in the Sun was followed by another play, produced in 1964, The Sign in Sidney Brusteins Window. This play is about an intellectual in Greenwich Village, New York City, a man who is open-minded and generous of spirit who, as Hansberry wrote, "cares about it all. It takes too much energy not to care."
(4) Lorraine Hansberry died on the final day of the plays run on Broadway. Her early death, at the age of 34, was unfortunate, as it cut short a brilliant and promising career, one that, even in its short span, changed the face of American theater. After her death, however, her influence continued to be felt. A dramatic adaptation of her autobiography, To Be Young, Gifted, and Black, consisted of vignettes based on Hansberrys plays, poems, and other writings. It was produced Off-Broadway in 1969 and appeared in book form the following year. Her play, Les Blancs, a drama set in Africa, was produced in 1970; and A Raisin in the Sun was adapted as a musical, Raisin, and won a Tony award in 1973.
(5) Even after her death, her dramatic works have helped gain an audience for her essays and speeches on wide-ranging topics, from world peace to the evils of the mistreatment of minorities, no matter what their race, and especially for her works on the civil-rights struggle and on the effort by Africans to be free of colonial rule. She was a woman,much like the characters in her best-known play, who was determined to be free of racial, cultural, or genderbased constraints.
On the basis of above passage please answer the following question.
According to the passage, which of the following dramatic works was based most directly on Hansberrys life?

Moscow has a history of chaotic periods of war that ended with the destruction of a once largely wooden city and the building of a "new" city on top of the rubble of the old. The result is a layered city, with each tier holding information about a part of Russias past. In some areas of the city, archaeologists have reached the layer from 1147, the year of Moscows founding. Among the findings from the various periods of Moscows history are carved bones, metal tools, pottery, glass, jewelry, and crosses.
On the basis of above passage please answer the following question.
From the passage, the reader can infer that:

Heat reactions usually occur when large amounts of water and/or salt are lost through excessive sweating following strenuous exercise.
When the body becomes overheated and cannot eliminate this excess heat, heat exhaustion and heat stroke are possible. Heat exhaustion is generally characterized by clammy skin, fatigue, nausea, dizziness, profuse perspiration, and sometimes fainting, resulting from an inadequate intake of water and the loss of fluids. First aid treatment for this condition includes having the victim lie down, raising the feet 812 inches, applying cool, wet cloths to the skin, and giving the victim sips of salt water (1 teaspoon per glass, half a glass every 15 minutes), over the period of an hour. Heat stroke is much more serious; it is an immediately life-threatening situation.
The characteristics of heat stroke are a high body temperature (which may reach 106F or more); a rapid pulse; hot, dry skin; and a blocked sweating mechanism. Victims of this condition may be unconscious, and first aid measures should be directed at cooling the body quickly. The victim should be placed in a tub of cold water or repeatedly sponged with cool water until his or her temperature is lowered sufficiently. Fans or air conditioners will also help with the cooling process. Care should be taken, however, not to overchill the victim once the temperature is below 102F.
On the basis of above passage please answer the following question.
The most immediate concern of a person tending a victim of heat stroke should be to: